top of page
IMG_2802_edited_edited_edited_edited.jpg
Henry Riley Productions. Maine Film & Video Productions.

An HRP blog about all things Video Production, Business and the great state of Maine.

THE MAINE FRAME

Image by Filip Zrnzević

The Secret to Writing a Short Film That Actually Gets Made!



So, you’ve got an idea for a short film; great! Maybe it’s a suspenseful thriller, a heartfelt drama, or a quirky comedy that’s been rattling around in your brain. But here’s the big question: how do you turn that idea into a compelling short film script that people actually want to make?


I’ve been behind the camera long enough to know that a great film starts with a great script. If you’re a beginner or an aspiring screenwriter looking to break into video production, this guide will give you the tools to craft a short film that stands out.




1. Start With a Killer Concept

Before you even think about opening a scriptwriting software, you need a strong, simple, and visually compelling idea. A short film isn’t a feature—it’s a quick, punchy story that leaves an impact.


What Makes a Great Short Film Concept?

  • A Clear Premise – What’s the one-sentence pitch? Example: A forgetful hitman leaves post-it notes to remember his targets… until he starts seeing notes he didn’t write.

  • Limited Locations & Characters – Short films don’t have blockbuster budgets. Fewer characters and locations make your film easier (and cheaper) to produce.

  • A Strong Emotional Core – Make your audience feel something—whether it’s laughter, tension, or heartbreak.


A great example of a simple yet powerful short film is The Neighbor’s Window, which won an Academy Award for Best Live Action Short. The story is emotionally gripping while taking place in just a few locations. You can read the script here.



2. Structure: The 3-Act Formula for Short Films

You might be tempted to skip structure, but a well-structured short film is way easier to write and more engaging to watch.


How Should a Short Film Be Structured?


  • Act 1 (Setup - 1-2 Minutes): The first moments of your short film are crucial. Unlike feature films, where you have 20-30 minutes to establish your characters and world, a short film demands efficiency.


    You need to introduce:

    • Your protagonist – Who are they? What do they want?

    • The world they inhabit – Where are we? What’s the tone?

    • The central conflict or hook – Why should we care? What makes this story worth watching?


    A strong example of a well-executed setup is "Whiplash" (2013, dir. Damien Chazelle)...even though it’s a feature, the opening scene perfectly sets up the obsessive protagonist and his world in under two minutes. Another great short film example is "The Neighbor’s Window" (2019, dir. Marshall Curry), which immediately establishes its characters and the core of their emotional struggles.


    How to Nail Your Setup:

    • Start with an attention-grabbing moment. Whether it’s a striking image, a surprising line of dialogue, or a bizarre action, give the audience something that makes them lean in.

    • Avoid excessive exposition. Show, don’t tell. If your character is lonely, don’t have them say, “I’m so lonely.” Instead, show them eating dinner alone at a table set for two.

    • Establish a clear goal or problem. If nothing is happening, why should we keep watching?


    Example: Imagine a short film about a man who wakes up to find a clone of himself sitting at his kitchen table. Within the first 30 seconds, the audience should understand:


    1. Who this man is (a regular guy with a normal routine).

    2. That something is very wrong (a duplicate version of him exists).

    3. That he has to make a decision (confront the clone or run).




  • Act 2 (Conflict - 2-6 Minutes): This is where your story kicks into high gear. The protagonist must face increasing challenges, leading them toward a major decision or realization.


    What Happens in Act 2?

    • The protagonist encounters obstacles that challenge them emotionally or physically.

    • Stakes increase, and we begin to understand what’s really at risk.

    • There’s often a midpoint twist; a moment that complicates things further or shifts the protagonist’s goal.

    • This is where you need to keep momentum and avoid filler. Every moment should push the story forward.


    A great example of escalating conflict can be found in "The Gunfighter" (2014, dir. Eric Kissack), where a mysterious narrator starts exposing everyone's secrets in a saloon, escalating tension until it reaches a breaking point. Another excellent example is "Lights Out" (2013, dir. David F. Sandberg), a horror short that builds suspense in a simple but effective way.


    How to Make Act 2 Engaging:

    • Raise the stakes. If the protagonist thinks they know the problem in Act 1, Act 2 should reveal it’s much worse than they imagined.

    • Keep the pacing tight. Every scene should change something about the character’s journey. If a scene could be removed without affecting the story, it’s probably unnecessary.

    • Use visual storytelling. In short films, dialogue should be minimal. Let actions, expressions, and camera movements tell the story.


    Example: Returning to our "clone" short film concept, Act 2 could show the protagonist trying to determine whether the clone is dangerous. Maybe he tests it by asking personal questions, but the clone knows everything he does. Maybe the clone starts copying his movements a little too perfectly. The tension rises...can he trust it?




  • Act 3 (Resolution - 1-2 Minutes): The ending of a short film is just as important as the opening. Since you have limited time, the resolution must be clear, impactful, and leave an impression.


    What Makes a Great Ending?

    • A strong emotional payoff—whether it’s shock, laughter, sadness, or inspiration, the audience should feel something.

    • A final twist or realization—a short film’s ending often works best when it leaves the audience thinking.

    • A sense of closure, even if things aren’t fully resolved. Not all endings need to be happy, but they should feel intentional.


    Great short films like "Six Shooter" (2004, dir. Martin McDonagh) and "The Black Hole" (2008, dir. Phil & Olly) deliver endings that make you reflect long after the credits roll.


    How to Stick the Landing:

    • Pay off your setup. If you introduced a gun in Act 1, it should fire in Act 3. If you built up a mystery, deliver an answer...or at least a clue.

    • Keep it concise. The best short films don’t overstay their welcome. Once you’ve delivered the punchline or emotional climax, end on a strong visual.

    • Leave room for interpretation (if appropriate). Some of the best endings don’t spell everything out but instead let the audience fill in the blanks.


    Example: Back to our "clone" story. Maybe in the final moment, the protagonist thinks he’s won—he’s locked the clone in a basement. But then his phone rings, and the voice on the other end sounds exactly like him. Cut to black.


A great example of this structure in action is Stutterer, which won an Oscar for Best Short Film. The script is tightly written, with an emotional arc that unfolds beautifully in just 12 minutes. You can read the script here.




3. Write With Visuals in Mind

Film is a visual medium. Unlike novels, where you can live inside a character’s head, a short film must tell its story primarily through images, actions, and dialogue.


How Do You Make a Script More Visual?


  • Use strong action descriptions – Instead of “He’s nervous,” write, “His fingers tap the table in rapid bursts.”

  • Show, don’t tell – Instead of having a character say, “I’m heartbroken,” show them deleting a text message draft five times before hitting send.

  • Limit dialogue – Less is more. If you can tell the story without dialogue, even better.


A masterclass in visual storytelling is The Silent Child, an Oscar-winning short film that relies on minimal dialogue but conveys powerful emotions through action. You can find the script here.


4. Keep It Under 10 Pages

Most short films are under 10 minutes long, which means your script should be 10 pages or less (one page roughly equals one minute of screen time).


Why Keep It Short?

  • More festivals accept films under 10 minutes (shorter = easier to program).

  • Lower production costs (less shooting time, fewer resources needed).

  • More chances it actually gets made (nobody wants to shoot a “short” film that’s 40 minutes long).


A brilliant example of concise storytelling is Curfew, which won Best Live Action Short Film at the Oscars. The screenplay is efficient, moving, and tightly constructed. You can read it here.




5. Make Your Ending Unforgettable

The last few moments of your film are what stick with your audience. The best short films end on a punch—whether it’s a twist, an emotional revelation, or a haunting final image.


What Makes a Great Short Film Ending?


  • A Twist That Makes You Rethink Everything (Think Black Mirror endings.)

  • A Satisfying Emotional Payoff (Tears, laughter, or shock—make ‘em feel it!)

  • A Final Shot That Stays With You (A lingering close-up, an empty room, or a powerful visual metaphor.)


The Oscar-winning short Skin leaves audiences with a haunting and unforgettable ending. Read the script here.


6. Formatting Matters!

Nothing screams “amateur” like a poorly formatted script. Industry-standard format makes your script easy to read and ready for production.


How Should a Short Film Script Be Formatted?


  • Use screenwriting software (like Final Draft, Celtx, or the free option, WriterDuet).

  • Keep action concise – No long-winded paragraphs.

  • Dialogue should be natural – Read it out loud; if it sounds fake, rewrite it.


A fantastic example of a well-formatted short script is Whiplash, which started as a short film before becoming an Academy Award-winning feature. You can read the short film script here.




Final Thoughts: Get Your Script Produced!

Once your script is polished, the next step is to get it made! Whether you’re planning to direct it yourself or pitch it to a Maine video production company, make sure your script is tight, visual, and achievable within a reasonable budget.


Looking for a professional production team to bring your short film to life? At Henry Riley Productions, we specialize in high-quality filmmaking, including commercial video production, live event coverage, and storytelling-driven projects. Let’s make something amazing...reach out today!

Comments


Ferry boat carrying cars in Portland, Maine. Fog. Henry Riley Productions.

READY TO WORK
WITH US?

Fill out the contact form below and we'll be in touch! 

Henry Riley Productions. Maine Film & Video Productions.
  • Instagram
  • Facebook
  • Youtube

© 2025. Henry Riley Productions

(207) 400-6773

bottom of page